项目名称： 无印良品代官山店

地点： 东京，日本

设计团队： SANAA

建筑面积： 498.24平方米

竣工时间： 2024年10月

设计特色：

项目 - 在东京时尚代官山区的中心，SANAA建筑师事务所的妹岛和世与西泽立卫将无印良品旗舰店改造成了一个革命性的零售空间，在这里，商品本身成为了建筑的一部分。这个于2024年10月完工的项目，代表了零售设计的彻底重新思考，商品超越了其商业角色，成为室内设计不可分割的组成部分。

旗舰店分为两个独特的空间：一个面向街道的服装区和一个略微后置的生活用品区。服装区最引人注目的特征是创新的天花板网格系统，由悬挂的环形装置组成，服装仿佛漂浮在空中。这种空灵的展示方式让服装可以从多个角度观赏，创造出一种近乎戏剧性的体验，让衣物在空间中成为动态雕塑。

在生活用品区，SANAA开发了一个引人入胜的空间叙事，将三面墙壁转变为从地板延伸到天花板的货架单元，只留下面向街道的立面保持透明。这种布置将展示的商品转化为定义空间本身的建筑元素。中央区域成为精心策划的舞台，展示精选商品供近距离观察，鼓励顾客与产品之间更亲密的互动。

两个空间都采用了大面积玻璃，消解了室内外的界限，创造出与街道的动态视觉关系。这种透明性不仅让路人可以观察商品，还能看到购物者在空间中移动的编排，将零售体验转变为一种公共表演。

该项目的独特之处在于能够通过建筑表达提升无印良品简约优质生活的理念。服装区和生活用品区的不同层高，使SANAA创造出既宏伟又亲密的空间体量，展示了周到的空间设计如何将日常购物转化为非凡体验。

团队 – SANAA（妹岛和世与西泽立卫事务所）由普利兹克奖获得者妹岛和世与西泽立卫于1995年创立，已经确立了其作为建筑界最具影响力的事务所之一的地位，以其在透明性、材料性和空间构成方面的创新方法而闻名。这家总部位于东京的事务所通过其独特的极简主义美学和突破性的结构解决方案，不断推动着当代建筑的边界。

他们的作品集展现了对光线、形式和空间的精湛操控，这在诸如洛桑联邦理工学院的如梦似幻的劳力士学习中心、托莱多艺术博物馆的水晶般的玻璃馆和纽约新当代艺术博物馆的雕塑般的建筑等标志性项目中得到了充分体现。该事务所的作品特点是通透的立面、流动的空间布局，以及对室内外空间关系的非凡关注。

SANAA的建筑语言虽然深深植根于现代主义原则，但通过创新使用透明材料和看似无重力的结构超越了传统界限。他们的设计经常采用超薄结构元素、无缝玻璃延展面和精心制作的细节，挑战传统的建筑层级。该事务所通过对空间、光线和人类体验的严谨探索，继续影响着全球建筑话语，保持着他们在当代建筑实践前沿的地位。

Project Name: MUJI Daikanyama

Location: Tokyo, Japan

Design Team: SANAA (Kazuyo Sejima, Ryue Nishizawa)

Design Team Members: Junko Tanase, Mano Yagi, Miku Naganuma, Zhang Jiaqi

Design Collaboration: Ryohin Keikaku

Design Supervision Collaboration: HiP (Junji Minamino, Yuki Watanabe)

Floor Area: 498.24 m²

Apparel Section: 268.76 m²

Household Goods Section: 229.48 m²

Completion Date: October 2024

Lighting Design: Quilt Planning (Shozo Toyohisa, Harunobu Izumo)

Construction: Nisso Kogei (Hironori Iwasaki)

Furniture: Sankyo Tateyama (Masaki Kumode, Noriki Kakinuma, Keiko Yamakawa)

HVAC: Kando (Makoto Furuya)

Plumbing: Kando (Takehiko Takada)

Electrical: Power Source (Ken Ide)

Feature：

Project - In the heart of Tokyo's trendy Daikanyama district, SANAA architects Kazuyo Sejima and Ryue Nishizawa have transformed MUJI's flagship store into a revolutionary retail space where products themselves become the architecture. The project, completed in October 2024, represents a radical rethinking of retail design, where merchandise transcends its commercial role to become an integral part of the interior design.

The flagship store is split into two distinct spaces: an apparel section facing the street and a household goods area set slightly back. The most striking feature of the apparel space is an innovative ceiling grid system of suspended rings, from which clothing hangs as if floating in mid-air. This ethereal display method allows garments to be viewed from multiple angles, creating an almost theatrical experience where clothes become kinetic sculptures in space.

In the household goods section, SANAA has developed a compelling spatial narrative by turning three walls into floor-to-ceiling shelving units, with only the street-facing facade remaining transparent. This arrangement transforms the displayed products into architectural elements that define the space itself. The central area becomes a carefully curated stage where selected items are presented for closer inspection, encouraging a more intimate interaction between customers and products.

Both spaces feature generous glazing that dissolves the boundary between interior and exterior, creating a dynamic visual relationship with the street. This transparency allows passersby to observe not just the products, but also the choreography of shoppers moving through the space, turning the retail experience into a kind of public performance.

The project's genius lies in its ability to elevate MUJI's philosophy of simplified, quality living through architectural expression. With ceiling heights of 4,275mm in the apparel section and 3,925mm in the household goods area, SANAA has created volumes that feel both monumental and intimate, demonstrating how thoughtful spatial design can transform everyday shopping into an extraordinary experience.

Design Team - Founded in 1995 by Pritzker Prize laureates Kazuyo Sejima and Ryue Nishizawa, SANAA (Sejima and Nishizawa and Associates) has established itself as one of architecture's most influential practices, renowned for its innovative approach to transparency, materiality, and spatial composition. Based in Tokyo, the firm has consistently pushed the boundaries of contemporary architecture through their distinctive minimalist aesthetic and groundbreaking structural solutions.

Their portfolio exemplifies a masterful manipulation of light, form, and space, evident in landmark projects such as the ethereal Rolex Learning Center at EPFL Lausanne, the crystalline Glass Pavilion at Toledo Museum of Art, and the sculptural New Museum in New York. The practice's work is characterized by diaphanous facades, fluid spatial arrangements, and an extraordinary attention to the relationship between interior and exterior spaces.

SANAA's architectural language, while deeply rooted in modernist principles, transcends conventional boundaries through its innovative use of transparent materials and seemingly weightless structures. Their designs often feature ultra-thin structural elements, seamless glass expanses, and meticulously crafted details that challenge traditional architectural hierarchies. The firm continues to influence global architectural discourse through their rigorous exploration of space, light, and human experience, maintaining their position at the forefront of contemporary architectural practice.