SANAA

SANAA（妹岛和世与西泽立卫事务所）由普利兹克奖获得者妹岛和世与西泽立卫于1995年创立，已经确立了其作为建筑界最具影响力的事务所之一的地位，以其在透明性、材料性和空间构成方面的创新方法而闻名。这家总部位于东京的事务所通过其独特的极简主义美学和突破性的结构解决方案，不断推动着当代建筑的边界。

他们的作品集展现了对光线、形式和空间的精湛操控，这在诸如洛桑联邦理工学院的如梦似幻的劳力士学习中心、托莱多艺术博物馆的水晶般的玻璃馆和纽约新当代艺术博物馆的雕塑般的建筑等标志性项目中得到了充分体现。该事务所的作品特点是通透的立面、流动的空间布局，以及对室内外空间关系的非凡关注。

SANAA的建筑语言虽然深深植根于现代主义原则，但通过创新使用透明材料和看似无重力的结构超越了传统界限。他们的设计经常采用超薄结构元素、无缝玻璃延展面和精心制作的细节，挑战传统的建筑层级。该事务所通过对空间、光线和人类体验的严谨探索，继续影响着全球建筑话语，保持着他们在当代建筑实践前沿的地位。

Founded in 1995 by Pritzker Prize laureates Kazuyo Sejima and Ryue Nishizawa, SANAA (Sejima and Nishizawa and Associates) has established itself as one of architecture's most influential practices, renowned for its innovative approach to transparency, materiality, and spatial composition. Based in Tokyo, the firm has consistently pushed the boundaries of contemporary architecture through their distinctive minimalist aesthetic and groundbreaking structural solutions.

Their portfolio exemplifies a masterful manipulation of light, form, and space, evident in landmark projects such as the ethereal Rolex Learning Center at EPFL Lausanne, the crystalline Glass Pavilion at Toledo Museum of Art, and the sculptural New Museum in New York. The practice's work is characterized by diaphanous facades, fluid spatial arrangements, and an extraordinary attention to the relationship between interior and exterior spaces.

SANAA's architectural language, while deeply rooted in modernist principles, transcends conventional boundaries through its innovative use of transparent materials and seemingly weightless structures. Their designs often feature ultra-thin structural elements, seamless glass expanses, and meticulously crafted details that challenge traditional architectural hierarchies. The firm continues to influence global architectural discourse through their rigorous exploration of space, light, and human experience, maintaining their position at the forefront of contemporary architectural practice.